DigiDic - The Exhibition
Call to Digital Self-Defense
The world is hurtling at an incredible pace toward an absolute monopolization by the global digital players. A state unprecedented in the history of mankind. Companies worth billions in the digital economy are staking their claim for world dominion, which in China is already closely bound with a monolithic political power. The gold – data. The outcome – complete control, a need-generating apparatus calculated by algorithms and the total loss of privacy.
Trust is the staple of our diet; responsibility is something we as users can choose to assume or not; promises are meant to be kept, and anger and powerlessness are what we feel as a result of the constant abuse of our trust.
Taking these concepts as its point of departure and using art objects, interactive installations, objects from the collection of the Museum, as well as workshops, performances, artist talks, and lectures, the exhibition offers not only a glimpse beneath the surfaces but with the handbook in conjunction with the exhibition also a manual on digital self-defense.
In team sports, we regain autonomy in the use of our beloved tools!
What You Can Do: Digital Self-Defense
by Klaudia Zotzmann-Koch
In the face of the manifold problems brought on by the digital, it is only human to feel overwhelmed and powerless. It is, however, not necessary to single-handedly crush a multinational corporation in order personally to do something meaningful. Digital self-defense is for you because you know that each of us has something to hide and we all have the right to our privacy. And you are helping not only yourself here, but your family and your friends as well because digital self-defense is – also – a team sport.
more
Autonomy
by Margarethe Maierhofer-Lischka
The fact that a click in Facebook is not just you expressing a “like” but that at the same time it sets in motion a worldwide mechanism of algorithms and data streams, of hard- and software, that the ecological footprint of a search in Google is the equivalent of a cup of coffee, and that every activity and movement made by all of us in digital space is converted into data that can be commercially used, sold, and processed. These often invisible and not directly perceptible connections lead us to the fundamental question: Despite the omnipresent dogmas of individualism, how much autonomy and power to act does the digital age actually give us?
more
Our brainstorming produced this initial list of basic needs:
a) The need for communication
b) The need for information
c) The need for functionality and practicality of systems and tools
d) The need for self-determination and sovereignty in dealing with systems and tools
e) The need for trust in technologies
Complete autonomy in the sense of full individual freedom to make decisions and shape life on every level is not possible in digital space because networked structures are always linked to and dependent on other agencies (people, devices, algorithms, codes, programs). Autonomy in digital space, therefore, becomes a realm of possibilities and interdependencies for deciding and shaping, becomes a search for consensus – a notion in stark contrast with the absolute concept of the “autonomy of art” as it has been passed down to us through history.
Autonomy is not a state but a process of negotiation that needs contrary counterparts and confrontations: what are we trying to gain independence or autonomy from? What is the aim of this independence and which values does it stand for? Where do we draw the line between our own independence and that of the collective, which forms does collective autonomy take? The concept of (digital) autonomy each of us has depends on the background, context, and skills we as individuals bring to the table. The aim of our work group is to address this topic together and to explore the shared and individual needs and conceptions of the autonomy of our digital selves.
- Exhibition Objects | Recommendations
Interdisciplinary exhibition on the topic of digital dictatorship, the question of autonomy and the development of strategies for digital self-defense
Exhibition Folk Life Museum at Paulustor
06 07 2024 - 09 03 2025
TUE - SUN 10am until 6pm
Paulustorgasse 11-13a, 8010 Graz
05 07 2024 Opening 19:00
with a musical contribution by Margarethe Maierhofer-Lischka
auto-tonos
Acoustically, many processes take place when playing an instrument that are beyond my control as a performer: the physics of the instrument, environmental influences and the state of my body determine the sound result of certain playing movements. In the piece auto-tonos, I investigate the influence of tension conditions - of strings, but also of my own muscle tension - on sounds. The autonomy of sounds unfolds in the uncontrollable zone of tension and relaxation, from which different vibrations emerge that overlap each other. The musical form of this piece emerges from the dichotomy of controlled and uncontrollable movements and their sound results.
Manual - Call to Digital Self-Defense
by Klaudia Zotzmann-Koch und Marek Tuszynski _ Martina Eigelsreiter _ Lisa Kostrzewa _ Roland Alton-Scheidl _ Wolfgang Sander-Beuermann _ Daniel Lohninger _ Alexander Sommer _ Felix Wendt
–> download pdf
A cooperation with:
Volkskundemuseum am Paulustor / Tactical Tech / FH Joanneum / NDU / CoSA / mur.at / OpenWebSearch
With
project management:
Elisabeth Schimana
/
advisory board:
Seppo Gründler
_
Eva Ursprung
_
Tassilo Pellegrini
_
Martina Eigelsreiter
/
exhibition design:
Christian Herzog
_
Serdar Songür
/
audio design:
Elisabeth Schimana
_
Seppo Gründler
/
graphic design:
Nora Bischof
_
Andreas Rathmanner
/
video and programming:
Peter Venus
_
Norbert Math
/
educational program:
Klaudia Zotzmann-Koch
/
translation:
Kimi Lum
_
Jacqueline Csuss
/
organisation:
Anita Hofmann
/
mediation:
Klaudia Zotzmann-Koch
_
Viktoria Krenn
_
Christoph Kugler